Angus Forsyth, among the greatest and most ambitious collectors of Chinese jade, has taken a different tack.Īlthough his personal collection is encyclopedic in scope, and the book is essentially a catalog of one small part of it, Forsyth has taken strong verticals from his portfolio that speak to armchair travelers, not just art historians or fellow collectors. As a result, they often have all the charm of dental work. Seeking to establish their credibility, and assuming little knowledge on the part of the reader, they typically begin with timelines, material analysis, and the establishment of provenance using comparisons to photographs in other compilations, especially from primary excavations. Contemporary books about jade tend to be museum or collector’s catalogs.
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